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Photography Channel boosted
Andre
Andre
@andre@mastoart.social  ·  activity timestamp 4 hours ago

No easy way through Winter
#TLRtuesday

🧻 FOMA Fomatone MG 131 18x24cm in Moersch SE5
🎞️ Ilford HP5 plus in Pyrocat HD 2+2+500 (accidentally underexposed)
📷 Mamiya C330S

#BelieveInFillm
#FilmPhotography
#LithPrint
#DarkRoomPrint
#120film

This lith print shows a narrow dirt road winding through a forest in winter, tightly enclosed by steep, snow-covered embankments. Bare trees rise densely on both sides, their dark, interwoven branches creating a heavy, almost claustrophobic rhythm against the pale sky.

The lith process exaggerates texture and contrast: the soil of the road appears coarse and granular, scattered with frozen mud and grit, while the surrounding shadows deepen into rough, mottled blacks. Highlights remain soft and unstable, giving the impression of cold light barely filtering through the trees.

The image carries a strong sense of isolation and passage — a primitive forest track shaped by weather and time, leading forward without revealing what lies ahead.
This lith print shows a narrow dirt road winding through a forest in winter, tightly enclosed by steep, snow-covered embankments. Bare trees rise densely on both sides, their dark, interwoven branches creating a heavy, almost claustrophobic rhythm against the pale sky. The lith process exaggerates texture and contrast: the soil of the road appears coarse and granular, scattered with frozen mud and grit, while the surrounding shadows deepen into rough, mottled blacks. Highlights remain soft and unstable, giving the impression of cold light barely filtering through the trees. The image carries a strong sense of isolation and passage — a primitive forest track shaped by weather and time, leading forward without revealing what lies ahead.
This lith print shows a narrow dirt road winding through a forest in winter, tightly enclosed by steep, snow-covered embankments. Bare trees rise densely on both sides, their dark, interwoven branches creating a heavy, almost claustrophobic rhythm against the pale sky. The lith process exaggerates texture and contrast: the soil of the road appears coarse and granular, scattered with frozen mud and grit, while the surrounding shadows deepen into rough, mottled blacks. Highlights remain soft and unstable, giving the impression of cold light barely filtering through the trees. The image carries a strong sense of isolation and passage — a primitive forest track shaped by weather and time, leading forward without revealing what lies ahead.
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Andre
Andre
@andre@mastoart.social  ·  activity timestamp 4 hours ago

No easy way through Winter
#TLRtuesday

🧻 FOMA Fomatone MG 131 18x24cm in Moersch SE5
🎞️ Ilford HP5 plus in Pyrocat HD 2+2+500 (accidentally underexposed)
📷 Mamiya C330S

#BelieveInFillm
#FilmPhotography
#LithPrint
#DarkRoomPrint
#120film

This lith print shows a narrow dirt road winding through a forest in winter, tightly enclosed by steep, snow-covered embankments. Bare trees rise densely on both sides, their dark, interwoven branches creating a heavy, almost claustrophobic rhythm against the pale sky.

The lith process exaggerates texture and contrast: the soil of the road appears coarse and granular, scattered with frozen mud and grit, while the surrounding shadows deepen into rough, mottled blacks. Highlights remain soft and unstable, giving the impression of cold light barely filtering through the trees.

The image carries a strong sense of isolation and passage — a primitive forest track shaped by weather and time, leading forward without revealing what lies ahead.
This lith print shows a narrow dirt road winding through a forest in winter, tightly enclosed by steep, snow-covered embankments. Bare trees rise densely on both sides, their dark, interwoven branches creating a heavy, almost claustrophobic rhythm against the pale sky. The lith process exaggerates texture and contrast: the soil of the road appears coarse and granular, scattered with frozen mud and grit, while the surrounding shadows deepen into rough, mottled blacks. Highlights remain soft and unstable, giving the impression of cold light barely filtering through the trees. The image carries a strong sense of isolation and passage — a primitive forest track shaped by weather and time, leading forward without revealing what lies ahead.
This lith print shows a narrow dirt road winding through a forest in winter, tightly enclosed by steep, snow-covered embankments. Bare trees rise densely on both sides, their dark, interwoven branches creating a heavy, almost claustrophobic rhythm against the pale sky. The lith process exaggerates texture and contrast: the soil of the road appears coarse and granular, scattered with frozen mud and grit, while the surrounding shadows deepen into rough, mottled blacks. Highlights remain soft and unstable, giving the impression of cold light barely filtering through the trees. The image carries a strong sense of isolation and passage — a primitive forest track shaped by weather and time, leading forward without revealing what lies ahead.
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Photography Channel boosted
Andre
Andre
@andre@mastoart.social  ·  activity timestamp yesterday

After conversation

🧻 FOMA Fomatone MG 131 18x24cm in Moersch SE5
🎞️ Ilford Delta 3200 in Ilford Microphen 1+0
📷 Canon EOS3 | Canon EF 17-40L f/4

#BelieveInFillm
#FilmPhotography
#LithPrint
#DarkRoomPrint
#35mm

A moody lith print depicting two empty drinking glasses placed close together on a flat surface near a wall. Their translucent bodies catch an angled light, casting elongated, slightly distorted shadows that echo their shapes. The grainy, high-contrast texture typical of lith printing breaks the image into speckles and warm, uneven tones, blurring the boundary between object and shadow. The scene feels quiet and contemplative, as if the glasses are traces of a recent presence—something just finished, or already fading.
A moody lith print depicting two empty drinking glasses placed close together on a flat surface near a wall. Their translucent bodies catch an angled light, casting elongated, slightly distorted shadows that echo their shapes. The grainy, high-contrast texture typical of lith printing breaks the image into speckles and warm, uneven tones, blurring the boundary between object and shadow. The scene feels quiet and contemplative, as if the glasses are traces of a recent presence—something just finished, or already fading.
A moody lith print depicting two empty drinking glasses placed close together on a flat surface near a wall. Their translucent bodies catch an angled light, casting elongated, slightly distorted shadows that echo their shapes. The grainy, high-contrast texture typical of lith printing breaks the image into speckles and warm, uneven tones, blurring the boundary between object and shadow. The scene feels quiet and contemplative, as if the glasses are traces of a recent presence—something just finished, or already fading.
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Andre
Andre
@andre@mastoart.social  ·  activity timestamp yesterday

After conversation

🧻 FOMA Fomatone MG 131 18x24cm in Moersch SE5
🎞️ Ilford Delta 3200 in Ilford Microphen 1+0
📷 Canon EOS3 | Canon EF 17-40L f/4

#BelieveInFillm
#FilmPhotography
#LithPrint
#DarkRoomPrint
#35mm

A moody lith print depicting two empty drinking glasses placed close together on a flat surface near a wall. Their translucent bodies catch an angled light, casting elongated, slightly distorted shadows that echo their shapes. The grainy, high-contrast texture typical of lith printing breaks the image into speckles and warm, uneven tones, blurring the boundary between object and shadow. The scene feels quiet and contemplative, as if the glasses are traces of a recent presence—something just finished, or already fading.
A moody lith print depicting two empty drinking glasses placed close together on a flat surface near a wall. Their translucent bodies catch an angled light, casting elongated, slightly distorted shadows that echo their shapes. The grainy, high-contrast texture typical of lith printing breaks the image into speckles and warm, uneven tones, blurring the boundary between object and shadow. The scene feels quiet and contemplative, as if the glasses are traces of a recent presence—something just finished, or already fading.
A moody lith print depicting two empty drinking glasses placed close together on a flat surface near a wall. Their translucent bodies catch an angled light, casting elongated, slightly distorted shadows that echo their shapes. The grainy, high-contrast texture typical of lith printing breaks the image into speckles and warm, uneven tones, blurring the boundary between object and shadow. The scene feels quiet and contemplative, as if the glasses are traces of a recent presence—something just finished, or already fading.
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Photography Channel boosted
een greintje
een greintje
@eengreintje@gram.social  ·  activity timestamp 3 days ago

Trying more text and image — regrets for having wasted that H transfer letter as everything would have looked more balanced without it.



[It's just a cat.

Press your snout against

its head, right in

the triangle

between its ears and

where the nose begins,

and smell

and say that again.



You're wrong.]



#analogphotography #filmphotography #darkroomprint #printmaking #blackandwhite #poetry #imageandtext #collage #experimental #cat

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een greintje
een greintje
@eengreintje@gram.social  ·  activity timestamp 3 days ago

Trying more text and image — regrets for having wasted that H transfer letter as everything would have looked more balanced without it.



[It's just a cat.

Press your snout against

its head, right in

the triangle

between its ears and

where the nose begins,

and smell

and say that again.



You're wrong.]



#analogphotography #filmphotography #darkroomprint #printmaking #blackandwhite #poetry #imageandtext #collage #experimental #cat

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Sorry, no caption provided by author
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Photography Channel boosted
Andre
Andre
@andre@mastoart.social  ·  activity timestamp 3 days ago

This is the Human footprint
#silentSunday

🧻 FOMA Fomatone MG 131 18x24cm in Moersch SE5
🎞️ Ilford HP5 plus in Pyrocat HD 2+2+500 (accidentally underexposed)
📷 Mamiya C330S

#BelieveInFillm
#FilmPhotography
#LithPrint
#DarkRoomPrint
#120film

This lith print depicts a quiet winter scene where a pile of discarded tires lies half-buried in snow at the edge of a wooded area. The dark, organic shapes of the tires contrast with the pale, granular snow, their circular forms repeating rhythmically across the foreground. Bare tree branches stretch overhead, creating a dense, tangled silhouette against the light sky. The lith printing process amplifies grain, contrast, and uneven tonal shifts, giving the image a raw, almost corrosive texture.
This lith print depicts a quiet winter scene where a pile of discarded tires lies half-buried in snow at the edge of a wooded area. The dark, organic shapes of the tires contrast with the pale, granular snow, their circular forms repeating rhythmically across the foreground. Bare tree branches stretch overhead, creating a dense, tangled silhouette against the light sky. The lith printing process amplifies grain, contrast, and uneven tonal shifts, giving the image a raw, almost corrosive texture.
This lith print depicts a quiet winter scene where a pile of discarded tires lies half-buried in snow at the edge of a wooded area. The dark, organic shapes of the tires contrast with the pale, granular snow, their circular forms repeating rhythmically across the foreground. Bare tree branches stretch overhead, creating a dense, tangled silhouette against the light sky. The lith printing process amplifies grain, contrast, and uneven tonal shifts, giving the image a raw, almost corrosive texture.
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Andre
Andre
@andre@mastoart.social  ·  activity timestamp 3 days ago

This is the Human footprint
#silentSunday

🧻 FOMA Fomatone MG 131 18x24cm in Moersch SE5
🎞️ Ilford HP5 plus in Pyrocat HD 2+2+500 (accidentally underexposed)
📷 Mamiya C330S

#BelieveInFillm
#FilmPhotography
#LithPrint
#DarkRoomPrint
#120film

This lith print depicts a quiet winter scene where a pile of discarded tires lies half-buried in snow at the edge of a wooded area. The dark, organic shapes of the tires contrast with the pale, granular snow, their circular forms repeating rhythmically across the foreground. Bare tree branches stretch overhead, creating a dense, tangled silhouette against the light sky. The lith printing process amplifies grain, contrast, and uneven tonal shifts, giving the image a raw, almost corrosive texture.
This lith print depicts a quiet winter scene where a pile of discarded tires lies half-buried in snow at the edge of a wooded area. The dark, organic shapes of the tires contrast with the pale, granular snow, their circular forms repeating rhythmically across the foreground. Bare tree branches stretch overhead, creating a dense, tangled silhouette against the light sky. The lith printing process amplifies grain, contrast, and uneven tonal shifts, giving the image a raw, almost corrosive texture.
This lith print depicts a quiet winter scene where a pile of discarded tires lies half-buried in snow at the edge of a wooded area. The dark, organic shapes of the tires contrast with the pale, granular snow, their circular forms repeating rhythmically across the foreground. Bare tree branches stretch overhead, creating a dense, tangled silhouette against the light sky. The lith printing process amplifies grain, contrast, and uneven tonal shifts, giving the image a raw, almost corrosive texture.
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