The image captures a moment in time at what appears to be the Kilburn Mills located in New Bedford, Massachusetts. The setting is outdoors during daylight hours with seven individuals visible on the path leading up towards a brick building bordered by wooden picket fences. In the foreground, there's an adult male and another individual walking side-by-side facing away from the camera, seemingly engrossed in conversation or observation. Behind them stands three adults: two males wearing hats and suits typical of early 20th-century fashion, one with a pipe possibly engaged in contemplation, while the third is standing further behind. To their right walks another man also dressed formally but more casually than his companions, perhaps due to differing social status or roles. Further back on this path are two women: an adult female and what seems like a young girl (the "little girl running" mentioned), distinguishable by her shorter stature compared with the adults around. The woman appears in mid-stride walking alongside the man previously seen closer up, while the little one is captured in motion - she's off-balance as if having just started to run or was playfully chased. On the rightmost part of this picture stands a figure at some distance from these main subjects; it might be another worker based on proximity and attire. This person seems less engaged with their surr [...]

The image captures a moment in time at what appears to be the Kilburn Mills located in New Bedford, Massachusetts. The setting is outdoors during daylight hours with seven individuals visible on the path leading up towards a brick building bordered by wooden picket fences. In the foreground, there's an adult male and another individual walking side-by-side facing away from the camera, seemingly engrossed in conversation or observation. Behind them stands three adults: two males wearing hats and suits typical of early 20th-century fashion, one with a pipe possibly engaged in contemplation, while the third is standing further behind. To their right walks another man also dressed formally but more casually than his companions, perhaps due to differing social status or roles. Further back on this path are two women: an adult female and what seems like a young girl (the "little girl running" mentioned), distinguishable by her shorter stature compared with the adults around. The woman appears in mid-stride walking alongside the man previously seen closer up, while the little one is captured in motion - she's off-balance as if having just started to run or was playfully chased. On the rightmost part of this picture stands a figure at some distance from these main subjects; it might be another worker based on proximity and attire. This person seems less engaged with their surr [...]

The image is a historical black-and-white photograph depicting six individuals standing at the entrance of what appears to be an old brick building. The group consists of three boys and three girls, all dressed in early 20th-century attire indicative of rural or working-class families from that era. From left to right: - A young boy wearing a dark jacket with rolled-up sleeves, trousers, shoes, and a cap stands against the wall. - Next is another male child with short hair, crossed arms, smiling slightly. He wears a coat, boots, and seems in a relaxed posture. - The second girl from left has her hands on hips, dressed in an apron over a dark skirt and blouse; she sports a boyish haircut typical for the time. In contrast to these three children: The group's composition features two older girls with their arms around each other. They wear modest dresses: one is wrapped up in suspenders under her outfit while holding what seems like a basket, indicating some work or domestic activity. - The third girl stands slightly apart from them, dressed similarly but without the apron. Their poses and attire suggest they are part of an extended family unit with children who may be working. In the backdrop is ivy-covered brickwork that adds to the quaintness of this snapshot in time which captures a moment likely during 'Noon Hour' as mentioned in Noon hour, Holden-Leonard Co., Benni [...]

The image is a historical black-and-white photograph depicting six individuals standing at the entrance of what appears to be an old brick building. The group consists of three boys and three girls, all dressed in early 20th-century attire indicative of rural or working-class families from that era. From left to right: - A young boy wearing a dark jacket with rolled-up sleeves, trousers, shoes, and a cap stands against the wall. - Next is another male child with short hair, crossed arms, smiling slightly. He wears a coat, boots, and seems in a relaxed posture. - The second girl from left has her hands on hips, dressed in an apron over a dark skirt and blouse; she sports a boyish haircut typical for the time. In contrast to these three children: The group's composition features two older girls with their arms around each other. They wear modest dresses: one is wrapped up in suspenders under her outfit while holding what seems like a basket, indicating some work or domestic activity. - The third girl stands slightly apart from them, dressed similarly but without the apron. Their poses and attire suggest they are part of an extended family unit with children who may be working. In the backdrop is ivy-covered brickwork that adds to the quaintness of this snapshot in time which captures a moment likely during 'Noon Hour' as mentioned in Noon hour, Holden-Leonard Co., Benni [...]

The image is a black and white photograph depicting three individuals in what appears to be an outdoor setting with natural foliage in the background. The central figure, presumably male based on physical characteristics visible, sits down wearing ragged clothing that includes torn sleeves and patches over holes or tears. His posture suggests discomfort as he gazes downward with his head slightly bowed. Behind him stands another person who is actively engaged in cutting hair; this individual wears a cap and dark-toned workoveralls typical of manual labor attire from the early to mid-20th century, indicative of rural working conditions. The standing figure's attention seems focused on their task while interacting with the seated man. To the right side of the frame is a third person who appears relaxed in posture; this individual sits down and wears casual clothing consisting of jeans and a shirt or sweater. This person watches the interaction between the other two figures, adding to the social context within which these events are occurring. The environment suggests an informal outdoor setting with stacked wood behind them and scattered debris around their immediate area. The photograph carries historical significance as it is captioned "Bean pickers barbering each other," hinting at a moment of camaraderie or necessity among laborers during harvest time in the Pacific [...]

The image is a black and white photograph depicting three individuals in what appears to be an outdoor setting with natural foliage in the background. The central figure, presumably male based on physical characteristics visible, sits down wearing ragged clothing that includes torn sleeves and patches over holes or tears. His posture suggests discomfort as he gazes downward with his head slightly bowed. Behind him stands another person who is actively engaged in cutting hair; this individual wears a cap and dark-toned workoveralls typical of manual labor attire from the early to mid-20th century, indicative of rural working conditions. The standing figure's attention seems focused on their task while interacting with the seated man. To the right side of the frame is a third person who appears relaxed in posture; this individual sits down and wears casual clothing consisting of jeans and a shirt or sweater. This person watches the interaction between the other two figures, adding to the social context within which these events are occurring. The environment suggests an informal outdoor setting with stacked wood behind them and scattered debris around their immediate area. The photograph carries historical significance as it is captioned "Bean pickers barbering each other," hinting at a moment of camaraderie or necessity among laborers during harvest time in the Pacific [...]