This is a black and white abstract architectural photo of a glass fronted high-rise office block. Filling the whole image is the multi faceted corner of a high-rise office building with black reflective windows. Each horizontal surface is of a short length before turning ninety degrees inwards or outwards, making multiple corners. The surface is constructed of silver or white frames surrounding a square window. This is repeated hundreds or thousands of times across the building. Thirty floors are in view with more than that amount unseen above. In the windows is a clear view of the sky above with bright and vivid reflections of the cumulus clouds encompassing the building. The Building: The Williams Tower, Houston (2012).

The image captures a bird’s-eye view of a quaint village. In the foreground, a red-brick church with a pointed steeple and a weather vane stands near a railway track. Surrounding the church are several houses with sloped roofs and a few bare trees. The scene is framed by a dark, out-of-focus border, giving the impression of peering through a window or opening. Sunlight bathes the area, highlighting the peaceful setting amidst a backdrop of greenery.

This is a black and white abstract architectural photo of a glass fronted high-rise office block. Filling the whole image is the multi faceted corner of a high-rise office building with black reflective windows. Each horizontal surface is of a short length before turning ninety degrees inwards or outwards, making multiple corners. The surface is constructed of silver or white frames surrounding a square window. This is repeated hundreds or thousands of times across the building. Thirty floors are in view with more than that amount unseen above. In the windows is a clear view of the sky above with bright and vivid reflections of the cumulus clouds encompassing the building. The Building: The Williams Tower, Houston (2012).

The image captures a bird’s-eye view of a quaint village. In the foreground, a red-brick church with a pointed steeple and a weather vane stands near a railway track. Surrounding the church are several houses with sloped roofs and a few bare trees. The scene is framed by a dark, out-of-focus border, giving the impression of peering through a window or opening. Sunlight bathes the area, highlighting the peaceful setting amidst a backdrop of greenery.